Movies – 251
Rosewater Ok, so after Charlie Hedbo we know that the subjects of journalistic satire don’t always get the joke. In his debut as a writer/director, US comedian Jon Stewart dramatizes one such case. On his […]
Rosewater Ok, so after Charlie Hedbo we know that the subjects of journalistic satire don’t always get the joke. In his debut as a writer/director, US comedian Jon Stewart dramatizes one such case. On his […]
Our 5-star holiday movies Paddington Can a computer generated bear change Australia’s collective mind about boat people? Paddington stows away, arrives as an illegal migrant and then melts our hearts. You have to accept Nicole […]
HOW TO ENTER: To enter any of our giveaways, just email us at info@ciaomagazine.com.au and let us know you’re reading online. Please include your name and address so your prize can reach you, as well as which […]
Human Capital The best and most significant Italian movie of the year, and it’s not screening at Norton St? Yep, (sigh) – says it all about the decline of Leichhardt as “Little Italy.” Paulo Virizi’s […]
HOW TO ENTER: To enter any of our giveaways, just email us at info@ciaomagazine.com.au and let us know you’re reading online. Please include your name and address so your prize can reach you, as well as which […]
Folies Bergére Hard as it is to imagine, Isabelle Huppert is a farmer in this quintessentially European romantic comedy from writer/director Marc Fitoussi. She plays fiftysomething Brigitte, long married to Xavier (Jean-Pierre Darroussin) and the […]
Two Days, One Night After the disappointment of The Immigrant, Marion Cotillard redeems herself totally in the Dardennes Brothers’ searingly realist drama. Unusually for our predictable art-house fare, this one is set in working class […]
HOW TO ENTER: To enter any of our giveaways, just email us at info@ciaomagazine.com.au and let us know you’re reading online. Please include your name and address so your prize can reach you, as well as which […]
The Young and Prodigious T.S. Spivet 3D Working in 3D for the first time, Jean-Pierre Jeunet’s (Amélie) trademark style of rich visuals, eccentric characters and surreal plots are all back again in this adaption of […]