The searing, multi award-winning new drama from Andrey Zvyagintsev (Leviathan, Elena, The Return), arguably the most fearless and vital filmmaker in modern European cinema, Loveless is a razor-sharp and gripping portrayal of a family – […]
Have You Seen The Listers? He’s been called an Aussie Banksy and even compared to Brett Whitely, though it’s a fair bet many Australians don’t know a lot about Anthony Lister – or even heard […]
Early Man The success of Aardman Animations’ movies can generally be gauged by whether or not they star Gromit (or at least his look-a-look from Shaun the Sheep). Sadly, stop-motion’s undisputed supremo Nick Park’s Early Man […]
The Death Of Stalin At least none of the all-star cast in Armando Iannucci’s latest scabrous political comedy had to adopt a stilted Russian accent. How on earth would they have got through all the lightening-fast quips, lacerating […]
The one-liners fly as fast as political fortunes fall in this uproarious, wickedly irreverent satire from Armando Iannucci (Veep, In the Loop, The Thick of It). Moscow, 1953: when tyrannical dictator Joseph Stalin drops dead, […]
All the films in Palace Cinema’s APIA Young At Heart Film Festival The Young At Heart Film Festival is the only one of its kind in Australia. Designed totally for seniors, the fastest growing cinema-going demographic in the […]
A film about art and falling apart. Have You Seen The Listers? is a candid and personal insight into the rise of world-renowned street artist Anthony Lister as he challenges conservative Australia, whilst battling his own […]
Running from from April 2 – 11, The Apia Young at Heart Film Festival returns to Palace Norton St, Palace Central and Verona cinemas with a specially curated selection of dramas, comedies, documentaries and retrospective […]
Mary Magdalene Poor Mary, she’s probably the most notorious victims of “slut-shaming” the world has ever seen. That happened centuries ago, apparently, when Pope Gregory the Great decided the New Testament could do with a […]
Few characters are as indelible as Uma Thurman’s yellow jumpsuit clad ‘The Bride’, the fearsome survivor who gives “Kill Bill” its central identity and feminist legacy. Originally conceived as one long epic, the two volumes […]